For those of us who make jewelry-scale work, the bench pin is the center of our world. My colleagues in the UK and Europe often call it a “bench peg,” but we know what they mean. The bench pin (or peg) is a small block of wood that is affixed front and center to our primary work station. Although it’s one of our least-expensive accoutrements, it’s probably the most valuable piece of real estate in the jewelry artisan’s studio.
Since this is where we spend the majority of our time and invest much of our focus, here are some helpful tips and tricks to get the most out of this seemingly modest scrap of wood.
Getting started
Any piece of wood can be used as a bench pin, but the traditional model has a few specific features. One face is flat, and the other is angled; which face is oriented upward depends a lot on the activity being undertaken. Despite the photos in most tool catalogs, the flat face is the most commonly used face, and is considered the “top” of the pin. The flat face is an appropriate surface for layout, measuring, marking, sawing, and piercing. We also do a lot of final steps on the flat side of the pin that involve connecting and assembly.
The angled face is designed at a slant for a reason: An angled surface is well suited for holding and securing objects for activities with an inclined approach, such as filing and carving. When using a tool, like a file or burnisher, with a forward-and-backward stroke, it’s more natural to work against an inclined plane rather than on a horizontal surface.
The most common feature of a traditional pin is a V-notch cut into the leading edge. This notch provides an opening over which to position work for sawing.
Another common bench pin style, usually called a “saw block,” is just a flat piece of wood, with no angled sides. A saw block can be easily modified to make it just as user friendly for the same tasks done at a traditional pin.
Placement and use
The proper working height for the top of a standard jeweler’s or goldsmith’s bench is at the same elevation as your armpit when seated. At most benches, the pin attaches at or just below this height. A good way to approximate this height is to sit upright in your chair, with the soles of both feet flat on the floor. Press your elbows against your ribcage and bring your hands upward with the palms together in front of your chest. This is the approximate location for most of the work done at the pin.
Make it your own
While a new jewelry maker might use his pin “as is” straight out of the box, initiated novices and seasoned veterans alike treat it as a highly customized and modified work station. In her opening statement to her new students, my friend Julie Sanford, of Studio JSD in Grand Haven, Mich., says: “A bench pin is meant to be used. It becomes one of your most personalized tools.” Each of us has our own preferred functions and features for the pin. If you’re tempted to cut a notch or saw a groove in your pin — go ahead! Make your pin work for you.
It only takes a couple minutes to prepare a new bench pin for use. If a student exclaims, “Oh no! My bench pin doesn’t have a V!” I can reassure them with a simple sentence: “That’s okay, we have a saw!” Just a couple saw lines and a few well-placed cuts and, voilà! we’re ready to make jewelry.
In addition to a center V, many practitioners cut additional features into their pin. There are several modifications I make to a fresh-out-of-the-box bench pin that I’ll use for everyday tasks (See “Michael’s Modifications,” below).